Signal processing/Panning (Q912)
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Revision as of 13:27, 26 July 2024 by JoernNettingsmeier (talk | contribs) (Created claim: Property:P35: 3D rendering processors)
the controlled distribution of a monophonic source signal to multiple loudspeakers by means of gains, delays, and possibly decorrelation methods, to obtain a sense of localisation in the desired direction
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Signal processing/Panning | the controlled distribution of a monophonic source signal to multiple loudspeakers by means of gains, delays, and possibly decorrelation methods, to obtain a sense of localisation in the desired direction |
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level panning and constant power law (English)
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LCR panners and their parameters (English)
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horizontal surround and 3D panning strategies (English)
Wavefield synthesis and Ambisonic panning (English)
pair-wise delay panning and DBAP (English)
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basic decorrelation techniques (English)
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3D rendering processors (English)
working principles (English)
signal flow and mixing desk integration (English)
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Since simple stereo panning delivers very disappointing results in typical live situations, most live engineers limit their panning efforts to spreading the drums around a bit. But getting source location at the listener right for every signal contributes to a more transparent and interesting mix, and opens the way to immersive sound designs, at the cost of vastly more complex loudspeaker system designs. The modern sound engineer has to be aware of immersive rendering tools, their working principles, their artistic potential, and the consequences for mixing desk signal and work flow. (English)
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Im Wissen, dass einfaches Stereo-Panning in üblichen Live-Situationen sehr durchwachsene Ergebnisse liefert, haben die meisten Live-Mischer ihre Panning-Bemühungen darauf reduziert, die Instrumente des Schlagzeugs ein wenig auseinander zu ziehen. Wenn es aber gelingt, die Lokalisation jeder Quelle an jedem Hörort korrekt darzustellen, trägt das sehr zu einem gut durchhörbaren und interessanten Mix bei und eröffnet den Weg zu immersiven Sound Designs, wenn auch auf Kosten erhöhter Komplexität der Lautsprechersysteme. Der moderne Ton-Operator muss Kenntnisse über moderne immersive Prozessoren und ihre Arbeitsweise, ihr künstlerisches Potential, und ihre Auswirkungen auf Signalfluss und Arbeitsabläufe im Mischpult haben. (German)
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