Signal processing/Equalizers (Q909)

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Revision as of 09:49, 26 July 2024 by JoernNettingsmeier (talk | contribs) (‎Changed claim: Property:P66: After simple gain stages, equalizers are the second most fundamental tool of the audio engineer. They let us alter and subjectively improve the tone color of an already good signal, but are doomed to fail when trying to correct distorted or comb-filtered material.)

After simple gain stages, equalizers are the second most fundamental tool of the audio engineer. They are great to polish the tone color of an already good signal, but doomed to fail when applied to distorted or comb-filtered mate...

After simple gain stages, equalizers are the second most fundamental tool of the audio engineer. They are great to polish the tone color of an already good signal, but doomed to fail when applied to distorted or comb-filtered mate...
Language Label Description Also known as
English
Signal processing/Equalizers
After simple gain stages, equalizers are the second most fundamental tool of the audio engineer. They are great to polish the tone color of an already good signal, but doomed to fail when applied to distorted or comb-filtered mate...

    Statements

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    10
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    bell filters and their parameters (English)
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    shelf filters and their parameters (English)
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    high- and lowpass filters and their parameters (English)
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    the effect of filters on the phase response (English)
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    concepts of IIR and FIR filters (English)
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    After simple gain stages, equalizers are the second most fundamental tool of the audio engineer. They let us alter and subjectively improve the tone color of an already good signal, but are doomed to fail when trying to correct distorted or comb-filtered material. (English)
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    ESCO description

    Sectoral layer

    Assessment

    References

     

    Wikidata