Difference between revisions of "Signal processing/Effects (Q911)"
From CompetenceBase
(Changed [en] description: common classes of effects, their parameters, their signal properties, and their creative uses) | (Added [de] description: gebräuchliche Arten von Klangeffekten, ihre Parameter und Signaleigenschaften, und kreative Anwendungsfälle) | ||
| description / de | description / de | ||
| + | gebräuchliche Arten von Klangeffekten, ihre Parameter und Signaleigenschaften, und kreative Anwendungsfälle | ||
Revision as of 11:53, 26 July 2024
common classes of effects, their parameters, their signal properties, and their creative uses
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Signal processing/Effects | common classes of effects, their parameters, their signal properties, and their creative uses |
Statements
28
0 references
30
0 references
difference of inline and additive effects (English)
0 references
common additive effects (reverb, delay, chorus etc.) and their parameters (English)
0 references
reverb use cases (English)
corrective use, e.g. to blend spot microphones realistically (English)
creative use (English)
0 references
exciters, saturators, distortion, and their parameters. (English)
0 references
harmonizers and autotuners, and their parameters (English)
0 references
Effects span a wide range, from simple linear, time-invariant feedback-delay networks to complex room simulations. They can be time-variant but otherwise linear modulated choruses and phasers, time-invariant but non-linear exciters or waveshapers for creative use, all the way to fully time-variant and at the same time non-linear instrument amp models, autotuners, and much more. To keep up with ever more complex offerings found on the market, it is helpful to think about effects in terms of their basic building blocks. (English)
0 references