Difference between revisions of "Production practice/Mixing practice (Q983)"
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(Created claim: references (P23): SQQ7 - 10.5, #quickstatements; #temporary_batch_1720698507325) | (Created claim: owner (P48): ESSENCE (Q466), #quickstatements; #temporary_batch_1720699521300) | ||
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Revision as of 12:05, 11 July 2024
No description defined
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Production practice/Mixing practice | No description defined |
Statements
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30
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compensate for deficiencies in microphone handling or speaking technique using mixing desk tools (English)
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the influence of compression on level, perceived loudness, and gain before feedback (English)
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spot emerging feedback quickly and eliminate it through appropriate measures (English)
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vary the sound between powerful and transparent (English)
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vary the sound between round, warm sound and maximal speech intelligibilty (English)
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spectral masking effects and takes them into account when mixing (English)
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split one’s own awareness between sound design, stage action and show order (upcoming cues, playouts) (English)
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supporting musical dramaturgy (tension, resolution, dynamics) at the mixing desk (English)
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anticipating upcoming structural elements (such as a solo) and proactively support them at the mixing desk (English)
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SQQ7 - 10.5
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