Difference between revisions of "Signal processing/Panning (Q912)"
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(Created claim: context (P66): Since simple stereo panning delivers very disappointing results in typical live situations, its use is often limited to spreading the drums around a bit. But getting source location at the listener right for every signal contributes to a more transparent and interesting mix, and opens the way to immersive sound designs. The modern sound engineer has to be aware of immersive rendering tools, their artistic potential, and the consequences for mixin...) | (Changed claim: context (P66): Since simple stereo panning delivers very disappointing results in typical live situations, most live engineers limit their panning efforts to spreading the drums around a bit. But getting source location at the listener right for every signal contributes to a more transparent and interesting mix, and opens the way to immersive sound designs, at the cost of vastly more complex loudspeaker system designs. The modern sound engineer has to be aware...) | ||
| Property / context | Property / context | ||
| - | + | Since simple stereo panning delivers very disappointing results in typical live situations, most live engineers limit their panning efforts to spreading the drums around a bit. But getting source location at the listener right for every signal contributes to a more transparent and interesting mix, and opens the way to immersive sound designs, at the cost of vastly more complex loudspeaker system designs. The modern sound engineer has to be aware of immersive rendering tools, their artistic potential, and the consequences for mixing desk signal and work flow. (English) | |
Revision as of 13:18, 26 July 2024
the controlled distribution of a monophonic source signal to multiple loudspeakers by means of gains, delays, and possibly decorrelation methods, to obtain a sense of localisation in the desired direction
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Signal processing/Panning | the controlled distribution of a monophonic source signal to multiple loudspeakers by means of gains, delays, and possibly decorrelation methods, to obtain a sense of localisation in the desired direction |
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level panning and constant power law (English)
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LCR panners and their parameters (English)
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horizontal surround and 3D panning strategies (English)
Wavefield synthesis and Ambisonic panning (English)
pair-wise delay panning and DBAP (English)
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basic decorrelation techniques (English)
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Since simple stereo panning delivers very disappointing results in typical live situations, most live engineers limit their panning efforts to spreading the drums around a bit. But getting source location at the listener right for every signal contributes to a more transparent and interesting mix, and opens the way to immersive sound designs, at the cost of vastly more complex loudspeaker system designs. The modern sound engineer has to be aware of immersive rendering tools, their artistic potential, and the consequences for mixing desk signal and work flow. (English)
0 references