Difference between revisions of "Signal processing/Dynamics processors (Q910)"
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(Created claim: context (P66): Dynamics processors are among the few non-time-invariant operations in sound. As such, setting them up correctly and effectively poses unique challenges, and each decision must be validated to work with all playing (or speaking) styles...) | (Changed claim: context (P66): Dynamics processors are among the few non-time-invariant operations in traditional sound engineering. As such, setting them up correctly and effectively poses unique challenges, and each decision must be validated to work with all playing (or speaking) styles...) | ||
Property / context | Property / context | ||
- | + | Dynamics processors are among the few non-time-invariant operations in traditional sound engineering. As such, setting them up correctly and effectively poses unique challenges, and each decision must be validated to work with all playing (or speaking) styles... (English) |
Revision as of 09:58, 26 July 2024
Dynamics processors are among the few non-time-invariant operations in sound. As such, setting them up correctly and effectively poses unique challenges, and each decision must be validated to work with all playing (or speaking) styles...
Language | Label | Description | Also known as |
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English | Signal processing/Dynamics processors | Dynamics processors are among the few non-time-invariant operations in sound. As such, setting them up correctly and effectively poses unique challenges, and each decision must be validated to work with all playing (or speaking) styles... |
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working principle and parameters of dynamics processors (English)
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working principle and utility of a side chain (English)
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working principle and parameters of a de-esser (English)
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working principle and parameters of a dynamic EQ (English)
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relevance of of EQ, dynamics, and effects ordering (English)
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Dynamics processors are among the few non-time-invariant operations in traditional sound engineering. As such, setting them up correctly and effectively poses unique challenges, and each decision must be validated to work with all playing (or speaking) styles... (English)
0 references