Difference between revisions of "Signal processing/Equalizers (Q909)"

From CompetenceBase

the parameters and working principles of different filter types, and their side effects

(‎Created claim: context (P66): After simple gain stages, equalizers are the second most fundamental tool of the audio engineer. They are great to correct or subjectively improve the tone color of an already good signal, but doomed to fail when applied to distorted or comb-filtered material.)
(‎Removed claim: import id (P39): 26, #quickstatements; #temporary_batch_1724141793623)
 
(5 intermediate revisions by one other user not shown)
label / delabel / de
 +
Signalverarbeitung/Filter
description / endescription / en
-
After simple gain stages, equalizers are the second most fundamental tool of the audio engineer. They are great to polish the tone color of an already good signal, but doomed to fail when applied to distorted or comb-filtered mate...
+
the parameters and working principles of different filter types, and their side effects
description / dedescription / de
 +
die Parameter und Funktionsweisen verschiedener Filtertypen, und ihre Nebenwirkungen
Property / import id
-

26

Amount26
Unit1
 
Property / import id: 26 / rank
-
Normal rank
 
Property / contextProperty / context
-
After simple gain stages, equalizers are the second most fundamental tool of the audio engineer. They are great to correct or subjectively improve the tone color of an already good signal, but doomed to fail when applied to distorted or comb-filtered material. (English)
+
After simple gain stages, equalizers are the second most fundamental tool of the audio engineer. They let us alter and subjectively improve the tone color of an already good signal, but are doomed to fail when trying to correct distorted or comb-filtered material. (English)
Property / context
 +
Nach den einfachen Gainstufen sind Filter das zweite grundlegende Werkzeug des Tontechnikers. Sie erlauben uns, die Klangfarbe zu verändern und subjektiv zu verbessern. Für die Korrektur von verzerrten oder Kammfilter-behafteten Signalen sind sie allerdings zum Scheitern verurteilt. (German)
Property / context: Nach den einfachen Gainstufen sind Filter das zweite grundlegende Werkzeug des Tontechnikers. Sie erlauben uns, die Klangfarbe zu verändern und subjektiv zu verbessern. Für die Korrektur von verzerrten oder Kammfilter-behafteten Signalen sind sie allerdings zum Scheitern verurteilt. (German) / rank
 +
Normal rank

Latest revision as of 08:18, 20 August 2024

the parameters and working principles of different filter types, and their side effects
Language Label Description Also known as
English
Signal processing/Equalizers
the parameters and working principles of different filter types, and their side effects

    Statements

    10
    0 references
    bell filters and their parameters (English)
    0 references
    shelf filters and their parameters (English)
    0 references
    high- and lowpass filters and their parameters (English)
    0 references
    the effect of filters on the phase response (English)
    0 references
    concepts of IIR and FIR filters (English)
    0 references
    0 references
    0 references
    After simple gain stages, equalizers are the second most fundamental tool of the audio engineer. They let us alter and subjectively improve the tone color of an already good signal, but are doomed to fail when trying to correct distorted or comb-filtered material. (English)
    0 references
    Nach den einfachen Gainstufen sind Filter das zweite grundlegende Werkzeug des Tontechnikers. Sie erlauben uns, die Klangfarbe zu verändern und subjektiv zu verbessern. Für die Korrektur von verzerrten oder Kammfilter-behafteten Signalen sind sie allerdings zum Scheitern verurteilt. (German)
    0 references

    ESCO description

    Sectoral layer

    Assessment

    References

     

    Wikidata