Difference between revisions of "Signal processing/Equalizers (Q909)"
From CompetenceBase
(Created claim: licence (P56): CC BY-NC-SA 4.0 (Q473), #quickstatements; #temporary_batch_1720699597552) | (Removed claim: import id (P39): 26, #quickstatements; #temporary_batch_1724141793623) | ||||||
(7 intermediate revisions by 2 users not shown) | |||||||
label / de | label / de | ||||||
+ | Signalverarbeitung/Filter | ||||||
description / en | description / en | ||||||
- | + | the parameters and working principles of different filter types, and their side effects | |||||
description / de | description / de | ||||||
+ | die Parameter und Funktionsweisen verschiedener Filtertypen, und ihre Nebenwirkungen | ||||||
Property / import id | |||||||
- | 26
| ||||||
Property / import id: 26 / rank | |||||||
- | |||||||
Property / attribution | |||||||
+ | |||||||
Property / attribution: Built upon the IGVW SQQ7 profile. IGVW is not responsible for the content of this item. / rank | |||||||
+ | Normal rank | ||||||
Property / context | |||||||
+ | After simple gain stages, equalizers are the second most fundamental tool of the audio engineer. They let us alter and subjectively improve the tone color of an already good signal, but are doomed to fail when trying to correct distorted or comb-filtered material. (English) | ||||||
Property / context: After simple gain stages, equalizers are the second most fundamental tool of the audio engineer. They let us alter and subjectively improve the tone color of an already good signal, but are doomed to fail when trying to correct distorted or comb-filtered material. (English) / rank | |||||||
+ | Normal rank | ||||||
Property / context | |||||||
+ | Nach den einfachen Gainstufen sind Filter das zweite grundlegende Werkzeug des Tontechnikers. Sie erlauben uns, die Klangfarbe zu verändern und subjektiv zu verbessern. Für die Korrektur von verzerrten oder Kammfilter-behafteten Signalen sind sie allerdings zum Scheitern verurteilt. (German) | ||||||
Property / context: Nach den einfachen Gainstufen sind Filter das zweite grundlegende Werkzeug des Tontechnikers. Sie erlauben uns, die Klangfarbe zu verändern und subjektiv zu verbessern. Für die Korrektur von verzerrten oder Kammfilter-behafteten Signalen sind sie allerdings zum Scheitern verurteilt. (German) / rank | |||||||
+ | Normal rank |
Latest revision as of 08:18, 20 August 2024
the parameters and working principles of different filter types, and their side effects
Language | Label | Description | Also known as |
---|---|---|---|
English | Signal processing/Equalizers | the parameters and working principles of different filter types, and their side effects |
Statements
10
0 references
bell filters and their parameters (English)
0 references
shelf filters and their parameters (English)
0 references
high- and lowpass filters and their parameters (English)
0 references
the effect of filters on the phase response (English)
0 references
concepts of IIR and FIR filters (English)
0 references
After simple gain stages, equalizers are the second most fundamental tool of the audio engineer. They let us alter and subjectively improve the tone color of an already good signal, but are doomed to fail when trying to correct distorted or comb-filtered material. (English)
0 references
Nach den einfachen Gainstufen sind Filter das zweite grundlegende Werkzeug des Tontechnikers. Sie erlauben uns, die Klangfarbe zu verändern und subjektiv zu verbessern. Für die Korrektur von verzerrten oder Kammfilter-behafteten Signalen sind sie allerdings zum Scheitern verurteilt. (German)
0 references