Difference between revisions of "Monitor mixing in a live situation (Q288)"
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(Removed claim: ESCO description (P12): Controllare il mixaggio dal vivo, sotto la propria responsabilità., #quickstatements; #temporary_batch_1720017124813) | (Removed claim: ESCO title (P11): Monitor mixing in a live situation, #quickstatements; #temporary_batch_1723207853008) | ||
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Latest revision as of 12:51, 9 August 2024
Oversee mixing in a live audio situation, under own responsibility.
- 02 10 40 05 25 TE
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Monitor mixing in a live situation | Oversee mixing in a live audio situation, under own responsibility. |
|
Statements
02 10 40 05 25
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25
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I don't know how to oversee mixing in a live audio situation, under own responsibility. (English)
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I am uncertain how to oversee mixing in a live audio situation, under own responsibility. (English)
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I know how to oversee mixing in a live audio situation, under own responsibility. (English)
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I am more than able to oversee mixing in a live audio situation, under own responsibility. (English)
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... doesn't know how to oversee mixing in a live audio situation, under own responsibility. (English)
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... is uncertain how to oversee mixing in a live audio situation, under own responsibility. (English)
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... knows how to oversee mixing in a live audio situation, under own responsibility. (English)
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... is more than able to oversee mixing in a live audio situation, under own responsibility. (English)
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Germany Fachkraft für Veranstaltungstechnik – Event Technology Specialist - Learning Area A Skills, Knowledge and Competences – (Item 5c) Position and set up microphones, configure and set up sound mixers and carry out a sound check, Note influences such as reflection and reverberation, Prepare sound mixing consoles (e.g. channels, subgroup routing, monitoring), Parameterize individual channels, Perform the master mix – BiBB Bundesinstitut für Berufsbildung, AUSBILDUNG GESTALTEN - Fachkraft für Veranstaltungstechnik, Bonn 2017, ISBN 978-3-7639-5873-3 (Print), ISBN 978-3-96208-021-1 (PDF)
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Adjust the levels of the overall balance according to requirements of each performer (English)
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Adjust effects and processors (English)
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Add balance according to the performance and requirements of the front of house mixer (English)
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Anticipate stage actions (English)
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Ensure the desired artistic quality (English)
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Knowledge of the sound equipment (English)
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Sound mixing and signal processing techniques (English)
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Acoustical properties of the space (English)
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Different genres of music and types of instruments (English)
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Sound qualities of different instruments (English)
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Intentions of the sound designer the performance/music (English)
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National legislation for the safe sound levels (English)
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TE
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