Difference between revisions of "Record music (Q292)"
From CompetenceBase
(Created claim: ESCO description (P12): Opnemen van een geluids- of muziekoptreden in een studio of live-omgeving. Gebruiken van de juiste apparatuur en uw professionele oordeelsvermogen om de geluiden met optimale betrouwbaarheid vast te leggen., #quickstatements; #temporary_batch_1711007493647) | (Removed claim: ESCO title (P11): Record music, #quickstatements; #temporary_batch_1723207853008) | ||
(48 intermediate revisions by the same user not shown) | |||
label / nl | label / nl | ||
+ | muziek opnemen | ||
aliases / en / 0 | aliases / en / 0 | ||
+ | 02 20 20 04 30 TE | ||
Property / ESCO title | |||
- | |||
Property / ESCO title: Record music (English) / rank | |||
- | |||
Property / ESCO title | |||
- | |||
Property / ESCO title: Musik aufnehmen (German) / rank | |||
- | |||
Property / ESCO title | |||
- | |||
Property / ESCO title: muziek opnemen (Dutch) / rank | |||
- | |||
Property / field and subfield | |||
- | |||
Property / field and subfield: Sound / rank | |||
- | |||
Property / ESCO description | |||
- | |||
Property / ESCO description: Register a sound or musical performance in a studio or live environment. Use the appropriate equipment and your professional judgment to capture the sounds with optimal fidelity. (English) / rank | |||
- | |||
Property / ESCO description | |||
- | |||
Property / ESCO description: Aufzeichnen einer Klangperformance oder musikalischen Darbietung in einem Studio oder Live-Umfeld. Verwenden geeigneter Ausrüstung und professioneller Einschätzung, um die Töne bei optimaler Klangtreue aufzunehmen. (German) / rank | |||
- | |||
Property / ESCO description | |||
- | |||
Property / ESCO description: Opnemen van een geluids- of muziekoptreden in een studio of live-omgeving. Gebruiken van de juiste apparatuur en uw professionele oordeelsvermogen om de geluiden met optimale betrouwbaarheid vast te leggen. (Dutch) / rank | |||
- | |||
Property / ESCO URI | |||
- | |||
Property / ESCO URI: http://data.europa.eu/esco/skill/cc7b37ef-9a91-4d16-ba55-138208c20502 / rank | |||
- | |||
Property / ESCO version | |||
- | |||
Property / ESCO version: 1.08 / rank | |||
- | |||
Property / field and subfield | |||
+ | |||
Property / field and subfield: Sound, Recording / rank | |||
+ | Normal rank | ||
Property / place in process | |||
+ | |||
Property / place in process: preparation / rank | |||
+ | Normal rank | ||
Property / EQF level | |||
+ | |||
Property / EQF level: EQF 4 / rank | |||
+ | Normal rank | ||
Property / competence unique identifier | |||
+ | 30 | ||
Property / competence unique identifier: 30 / rank | |||
+ | Normal rank | ||
Property / skill (EN) | |||
+ | Set the controls to ensure an optimal recording (English) | ||
Property / skill (EN): Set the controls to ensure an optimal recording (English) / rank | |||
+ | Normal rank | ||
Property / skill (EN) | |||
+ | Organise the order of the takes to different tracks (English) | ||
Property / skill (EN): Organise the order of the takes to different tracks (English) / rank | |||
+ | Normal rank | ||
Property / skill (EN) | |||
+ | Test recording levels and interpret the meters correctly (English) | ||
Property / skill (EN): Test recording levels and interpret the meters correctly (English) / rank | |||
+ | Normal rank | ||
Property / skill (EN) | |||
+ | Document the takes (English) | ||
Property / skill (EN): Document the takes (English) / rank | |||
+ | Normal rank | ||
Property / skill (EN) | |||
+ | Follow procedures for backup and hard copy (English) | ||
Property / skill (EN): Follow procedures for backup and hard copy (English) / rank | |||
+ | Normal rank | ||
Property / skill (EN) | |||
+ | Locate, detect and solve problems (English) | ||
Property / skill (EN): Locate, detect and solve problems (English) / rank | |||
+ | Normal rank | ||
Property / skill (EN) | |||
+ | Solve minor acoustic problems (English) | ||
Property / skill (EN): Solve minor acoustic problems (English) / rank | |||
+ | Normal rank | ||
Property / knowledge detail (EN) | |||
+ | Recording techniques (English) | ||
Property / knowledge detail (EN): Recording techniques (English) / rank | |||
+ | Normal rank | ||
Property / knowledge detail (EN) | |||
+ | Characteristics and use of different microphones (English) | ||
Property / knowledge detail (EN): Characteristics and use of different microphones (English) / rank | |||
+ | Normal rank | ||
Property / knowledge detail (EN) | |||
+ | Structure of a sound system (English) | ||
Property / knowledge detail (EN): Structure of a sound system (English) / rank | |||
+ | Normal rank | ||
Property / knowledge detail (EN) | |||
+ | User level troubleshooting of equipment (English) | ||
Property / knowledge detail (EN): User level troubleshooting of equipment (English) / rank | |||
+ | Normal rank | ||
Property / knowledge detail (EN) | |||
+ | Acoustic properties of different surface materials and how to use them in recording (English) | ||
Property / knowledge detail (EN): Acoustic properties of different surface materials and how to use them in recording (English) / rank | |||
+ | Normal rank | ||
Property / self assessment | |||
+ | I don't know how to register a sound or musical performance in a studio or live environment. Use the appropriate equipment and your professional judgment to capture the sounds with optimal fidelity. (English) | ||
Property / self assessment: I don't know how to register a sound or musical performance in a studio or live environment. Use the appropriate equipment and your professional judgment to capture the sounds with optimal fidelity. (English) / rank | |||
+ | Normal rank | ||
Property / self assessment | |||
+ | I am uncertain how to register a sound or musical performance in a studio or live environment. Use the appropriate equipment and your professional judgment to capture the sounds with optimal fidelity. (English) | ||
Property / self assessment: I am uncertain how to register a sound or musical performance in a studio or live environment. Use the appropriate equipment and your professional judgment to capture the sounds with optimal fidelity. (English) / rank | |||
+ | Normal rank | ||
Property / self assessment | |||
+ | I know how to register a sound or musical performance in a studio or live environment. Use the appropriate equipment and your professional judgment to capture the sounds with optimal fidelity. (English) | ||
Property / self assessment: I know how to register a sound or musical performance in a studio or live environment. Use the appropriate equipment and your professional judgment to capture the sounds with optimal fidelity. (English) / rank | |||
+ | Normal rank | ||
Property / self assessment | |||
+ | I am more than able to register a sound or musical performance in a studio or live environment. Use the appropriate equipment and your professional judgment to capture the sounds with optimal fidelity. (English) | ||
Property / self assessment: I am more than able to register a sound or musical performance in a studio or live environment. Use the appropriate equipment and your professional judgment to capture the sounds with optimal fidelity. (English) / rank | |||
+ | Normal rank | ||
Property / mentor assessment | |||
+ | ... doesn't know how to register a sound or musical performance in a studio or live environment. Use the appropriate equipment and your professional judgment to capture the sounds with optimal fidelity. (English) | ||
Property / mentor assessment: ... doesn't know how to register a sound or musical performance in a studio or live environment. Use the appropriate equipment and your professional judgment to capture the sounds with optimal fidelity. (English) / rank | |||
+ | Normal rank | ||
Property / mentor assessment | |||
+ | ... is uncertain how to register a sound or musical performance in a studio or live environment. Use the appropriate equipment and your professional judgment to capture the sounds with optimal fidelity. (English) | ||
Property / mentor assessment: ... is uncertain how to register a sound or musical performance in a studio or live environment. Use the appropriate equipment and your professional judgment to capture the sounds with optimal fidelity. (English) / rank | |||
+ | Normal rank | ||
Property / mentor assessment | |||
+ | ... knows how to register a sound or musical performance in a studio or live environment. Use the appropriate equipment and your professional judgment to capture the sounds with optimal fidelity. (English) | ||
Property / mentor assessment: ... knows how to register a sound or musical performance in a studio or live environment. Use the appropriate equipment and your professional judgment to capture the sounds with optimal fidelity. (English) / rank | |||
+ | Normal rank | ||
Property / mentor assessment | |||
+ | ... is more than able to register a sound or musical performance in a studio or live environment. Use the appropriate equipment and your professional judgment to capture the sounds with optimal fidelity. (English) | ||
Property / mentor assessment: ... is more than able to register a sound or musical performance in a studio or live environment. Use the appropriate equipment and your professional judgment to capture the sounds with optimal fidelity. (English) / rank | |||
+ | Normal rank | ||
Property / acceptable assessment methods | |||
+ | |||
Property / acceptable assessment methods: criterion based Interview / rank | |||
+ | Normal rank | ||
Property / references | |||
+ | Germany Fachkraft für Veranstaltungstechnik – Event Technology Specialist - Learning Area A Skills, Knowledge and Competences – (Item 5a) View, check and provide image, sound and data content, observe entertainment law regulations, Know the differences in the content (e.g. file formats, resolutions, sound channels, aspect ratios), Check and adjust the content, Take into account basic data protection and copyright requirements – BiBB Bundesinstitut für Berufsbildung, AUSBILDUNG GESTALTEN - Fachkraft für Veranstaltungstechnik, Bonn 2017, ISBN 978-3-7639-5873-3 (Print), ISBN 978-3-96208-021-1 (PDF) | ||
Property / references: Germany Fachkraft für Veranstaltungstechnik – Event Technology Specialist - Learning Area A Skills, Knowledge and Competences – (Item 5a) View, check and provide image, sound and data content, observe entertainment law regulations, Know the differences in the content (e.g. file formats, resolutions, sound channels, aspect ratios), Check and adjust the content, Take into account basic data protection and copyright requirements – BiBB Bundesinstitut für Berufsbildung, AUSBILDUNG GESTALTEN - Fachkraft für Veranstaltungstechnik, Bonn 2017, ISBN 978-3-7639-5873-3 (Print), ISBN 978-3-96208-021-1 (PDF) / rank | |||
+ | Normal rank | ||
Property / references | |||
+ | Netherlands Qualification File Stage and Event Technology, crebonumber 79040, learning area P3-K1 Voert de preproductie uit. Sectorchambre ICT and Creative Industry, version 2022 (to be released August 2022), Zoetermeer 2021. | ||
Property / references: Netherlands Qualification File Stage and Event Technology, crebonumber 79040, learning area P3-K1 Voert de preproductie uit. Sectorchambre ICT and Creative Industry, version 2022 (to be released August 2022), Zoetermeer 2021. / rank | |||
+ | Normal rank | ||
Property / owner | |||
+ | |||
Property / owner: TeBeVat / rank | |||
+ | Normal rank | ||
Property / owner code | |||
+ | TE | ||
Property / owner code: TE / rank | |||
+ | Normal rank | ||
Property / ESCO Skill/Competence | |||
+ | |||
Property / ESCO Skill/Competence: Record music / rank | |||
+ | Normal rank |
Latest revision as of 12:51, 9 August 2024
Register a sound or musical performance in a studio or live environment. Use the appropriate equipment and your professional judgment to capture the sounds with optimal fidelity.
- 02 20 20 04 30 TE
Language | Label | Description | Also known as |
---|---|---|---|
English | Record music | Register a sound or musical performance in a studio or live environment. Use the appropriate equipment and your professional judgment to capture the sounds with optimal fidelity. |
|
Statements
02 20 20 04 30
0 references
30
0 references
Set the controls to ensure an optimal recording (English)
0 references
Organise the order of the takes to different tracks (English)
0 references
Test recording levels and interpret the meters correctly (English)
0 references
Document the takes (English)
0 references
Follow procedures for backup and hard copy (English)
0 references
Locate, detect and solve problems (English)
0 references
Solve minor acoustic problems (English)
0 references
Recording techniques (English)
0 references
Characteristics and use of different microphones (English)
0 references
Structure of a sound system (English)
0 references
User level troubleshooting of equipment (English)
0 references
Acoustic properties of different surface materials and how to use them in recording (English)
0 references
I don't know how to register a sound or musical performance in a studio or live environment. Use the appropriate equipment and your professional judgment to capture the sounds with optimal fidelity. (English)
0 references
I am uncertain how to register a sound or musical performance in a studio or live environment. Use the appropriate equipment and your professional judgment to capture the sounds with optimal fidelity. (English)
0 references
I know how to register a sound or musical performance in a studio or live environment. Use the appropriate equipment and your professional judgment to capture the sounds with optimal fidelity. (English)
0 references
I am more than able to register a sound or musical performance in a studio or live environment. Use the appropriate equipment and your professional judgment to capture the sounds with optimal fidelity. (English)
0 references
... doesn't know how to register a sound or musical performance in a studio or live environment. Use the appropriate equipment and your professional judgment to capture the sounds with optimal fidelity. (English)
0 references
... is uncertain how to register a sound or musical performance in a studio or live environment. Use the appropriate equipment and your professional judgment to capture the sounds with optimal fidelity. (English)
0 references
... knows how to register a sound or musical performance in a studio or live environment. Use the appropriate equipment and your professional judgment to capture the sounds with optimal fidelity. (English)
0 references
... is more than able to register a sound or musical performance in a studio or live environment. Use the appropriate equipment and your professional judgment to capture the sounds with optimal fidelity. (English)
0 references
Germany Fachkraft für Veranstaltungstechnik – Event Technology Specialist - Learning Area A Skills, Knowledge and Competences – (Item 5a) View, check and provide image, sound and data content, observe entertainment law regulations, Know the differences in the content (e.g. file formats, resolutions, sound channels, aspect ratios), Check and adjust the content, Take into account basic data protection and copyright requirements – BiBB Bundesinstitut für Berufsbildung, AUSBILDUNG GESTALTEN - Fachkraft für Veranstaltungstechnik, Bonn 2017, ISBN 978-3-7639-5873-3 (Print), ISBN 978-3-96208-021-1 (PDF)
0 references
Netherlands Qualification File Stage and Event Technology, crebonumber 79040, learning area P3-K1 Voert de preproductie uit. Sectorchambre ICT and Creative Industry, version 2022 (to be released August 2022), Zoetermeer 2021.
0 references
TE
0 references